Zombiepoca? e
20090809
&? ;? ly 9, 2009
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I've let ? one fal? the? side too lonr>The first was a party at m? artment, which of course? ? ger, whiter, and different from my current one. The folks who were coming co? ted ? ly of coworkers, includi? eopl? om my last job. I had been napping and o? ? ; the poundi? door woke m? . I looked at the clock and ? ed. ? ? he hour ? he gathering, and I had done NOTHING to ? are my a? ? ? the? laught.
? >I darted to and fro, ga? ing ? ? s and loose books an? mping them i? bedroom? t of sight of the living room. There? ? mall? e couch ? folded out intoed, but which lacked? hions and looked? her altogeth? oo d? ? propriety. I yanked the bed? and? ? ed o? er moving the couch on m? n, but accom? hed it n? theless, ending up g? ing and ? ing and ? ing ? he eyes ? he Jack ? ell ? ier ? ? ? ing with me. Once th? ? afel? ashe? ? ith the dog, I looke? at the ? et a? ealized how ? hy it was, b? ? eopl? tside had managed to? the door pa? ope? o I had ? ime ? ? m and let them in.
? >The dream at th? ? skipped to the end ? ? ? , after ? of the ? le had left.? ? itting o? nicer couch, flopped to the point o? ? tion, when I? iced somethiut of the co? of my e? o the left. ? ? -orange Bic ciga? e lighter was moving? on closer inspection, the lighter was moving on the back of a large black cockroach, whi? as i? rn attended by a slightly-smaller golden cockroach.
I understo? hat ? had been di? ntle? the rel? ion ? he old couch and? e therefore taki? hat ? ? ld (which includ? he c? ette lig? ) and searching for friendlier climes. This ? ired? eral trips a? ? ? ing room flo? o they could col? ? ? of my odds and ? . On the? ? ip, I killed them with my foot.
? >A little while later, I? dreg that I? in some? t of? ? hop led by one o? ? orkers, who was teaching a g? of college-age ? the? ics ? ? ing.? ? ? alki? o th? udent ne? o me? plaining the mechanics of va? s significant ga? ? in ? hetic hi? y, conferences and concl? and shows and bienn? .
She encouraged me to? up in f? of the ? ? ? poke, which I did wi? t re? ing it, and when? ound up a disquisition on the obstinacy of Chuck Close and how it had led to the col? e of what would have been a ? icul? signifi? show, I realized I was speaking to the ? s, my cowork? ? itting among the? ? s with a? look on? face, a? here? e three hand? .
The ? t on? ked ? estion, which I don't remember, although? emember the ? er: a flat &? ;No." T? econ? esti? ? ? hing about God. I had to lea? ? oom and look at something and come back and give? an ? er, which sounded deep aeani? ? the time, b? hich I have, unf? nately, forgotten. T? hird question was about why artists seem to enjoy working in palettes of yellow so much. That was easy, I said. ? ral light, but it goes deeper th? hat. It's one thing to i? de h? of yellow e? ? e in ord? o sa? is during the daytime, b? uite ano? to use a ye? ? h to convey sunl? . I then had to explain ? ? ash was (a d? ion ? ? ? ? h some kind ? hinning medium, like? er, in o? to make it more transpa? , li? ? colors).? >
At th? ? , I noticed ? ? eral fac? had wandered in and? e listening ? ly, and I re? ed I had som? end? p teaching a class on the hi? y of? ? ics. Or something li? hat.
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